Reflection

A one-page reflection is also required for your final. This can be done electronically and does not need to be attached/included in your portfolio. In this paper you need describe what you learned during your project and throughout the term.

• What new info/techniques/ideas did you learn about your subject, Photoshop, and photography in general.
• What was easy and difficult about your project/subject?
• What would you do differently if you could start over again?
• Finally, how far along do you think you have come as a photographer this semester (think back to our landscape and other intro assignments getting to know composition and the camera)?

SENIORS! Time to print your pics!!!

Please turn in images so we can print them.  Your portfolio needs to be assembled in a way that is presentable.  An album, a binder, a powerpoint, or ????  You choose.

Each image needs to be accompanied by a 3 sentence blurb explaining the image, the process, and how it relates to your topic.

Remember, each of these 6/9 images needs to be reflective if your absolute BEST work!!!

DUE MONDAY

40+ more images for your topic. 

Monday you will edit 7+ more images for your topic.

You will also begin to turn images in that you want printed in your final best 9 (2x1 on a contact sheet).

SHORT Shooting day

You only have a little time today (45 minutes) to take some pics.  Another option is to make up any work you are behind on (grades updated today).

Progress Check #1

Today you have a contact sheet due, of 40 pictures.

You also need to edit and turn in 7 of your best pics on a contact sheet.

Remember each image for this assignment should be reflective of your BESTEST work.  You will edit 21 images to select your best 9 from for the final presentation.

Portfolio Timeline

Friday - shooting day (once questions are answered on web site)
Monday - Editing day & first 40 image contact sheet due
Wednesday - Shooting day
Friday - Short period, second 40 image contact sheet due

Be sure your topic is attainable, interesting, and can set you up for success!  Each of the final images you turn in (9 for UC, 6 for Seniors) needs to be reflective of the absolute BEST you can do and should represent your topic from a unique angle and be a stand alone amazing image.

Good Luck!

Lots due today

Today is going to be a work day to catch up, turn things in, and make sure your grade us where you want it.

Here is what is due:

Portraits:

• 4 edited out of class portraits
• contact sheet of 24 best portraits (no more than 2 subjects
• 4 edited in class portraits
• contact sheet of 12 in class portraits

Web Site Gallery

• Email me a link to your gallery:
• brian.story@shorelineschools.org

Final Project

• answer these 8 questions today regarding your portfolio topic.
• http://learn.shorelineschools.org/shorecrest/bstory/index.php?section=discussion&threadID=31992

Art Expo

• Some images are still not printed, easy points, turn in your favorite pic!

Portrait Retouch

Follow 4 of the following:

http://www.smashingmagazine.com/2008/07/15/70-beauty-retouching-photoshop-tutorials/

http://sixrevisions.com/photoshop/26-professional-photoshop-retouching-tutorials/

Art Expo

At the start of class today please turn in ONE image that you are most proud of.  This image will be printed and on display in the SC Art Expo.

Try and find an image that is not over edited, is unique, interesting, creative, and stands out from the crowd.

Out of Class Portraits

For every shot you should consider your subject, their expression, the "mood" you want in the image, the background, the pose, and your composition.  You are the boss when shooting portraits, take charge?

Think about: 

• perspective
• eye contact
• rules of composition
• experiments with lighting
• dramatic subject (out of comfort zone)
• shoot candidly
• introduce a prop
• focus on a body part
• obscure your subject
• take a series of shots (this will require more than 15 total pics)

 









1. Find no more than 2 interesting human subjects. The people you choose should WANT to be in the picture and they should be willing to cooperate.

2. Talk to your subject. You are the director of this adventure, make it what you want. Use colors or lighting to create a concept for your portrait. Costumes or uniforms work great. Imaginary ideas are OK. Choose an interesting setting based on your concept.

3. Change angles between shots. Shoot at least 10 pictures of EACH of your two subjects. This will give a good variety. 

4. Change your lighting; Use filters, flashlights, lamps, or multiple lights to enhance your picture.

5. Remember you are the boss, make them change their expression. Pretend it is high fashion and they have to create the next great "look" like blue steel (Zoolander).

6. Most importantly for this assignment don't forget your composition rules. Use framing, leading lines, rule of thirds, color contrast etc. to enhance your photo. Fill the frame!!!!

HAVE FUN & BE CREATIVE!!!! try to think out of the norm to come up with a creative setting, pose, expression, outfit, etc to make an amazing portrait!!!!

Studio Pics

Studio Lighting!!!
Your task this week is to shoot some interesting , creative and unique portraits using the studio lights. Remember the different lighting techniques seen in class.Use the lights to add emotion, feeling, or interesting shadows to your images. Try to think out of the box, manipulate the image with Manual settings on the camera, blur motion, stop action, take tons of pics, and ha

ve FUN! Shoot for the period in groups of 4 to 6 per light station. Everyone should shoot their own photo session.Take turns as each others subjects. Shoot a minimum of 5 pictures per photographer per station. 

Studio Lighting

What Is Short Light?

Short light is type of studio lighting setup, where the face side which is further from the camera gets the main light. see the diagram for details. In this type of lighting setup, the side of the face which is toward the camera gets less light then the side facing away form the camera. The effect you get when using this lighting setup is a thin face, this is why it is good to photograph fat (or chubby) people with a short light setup. 

Diagram 1 - Short Light

Let's look at a picture of a friend of mine - Winnie the poo. Looks like Winnie had allot of honey and he is quite chubby. The flash is set up to my right, and Winnie is looking to his left. This make his face look a bit thinner than what they really are. Short light is very useful in portrait photography, as it gives drama to the subject. (Short light setup also stresses skin wrinkles, to create even more drama for older people) 
 
What Is Broad Light?

Broad light is just the opposite of Short light. In the Broad Light setup, THe side that is getting the most light is the side turning towards the camera. This setup is less commonly used for portraits as it tends to make people look chubby. See the diagram for setup. 
 

Diagram 2 - Broad Light

Lets look at Winnie again. This picture was taken at the same focal length (135mm with 1.5 crop factor D70's sensor). This time Winnie looks very chubby. Oh Winnie! what have you been eating? Also note how the picture looks a bit flatter. There are not allot of light and shade plays. 
 
For both types of light you can use a fill light at the opposite side to the main light, or do as I did and use a reflector at 45 deg. (see diagrams). 
Conclusion: 

Light Type	Side to Get Most Light	Chubbiness	Wrinkles
Short Light	Away From Camera	Reduce	Intensify
Broad Light	Facing Camera	Increase	Reduce

Short Lighting

Short lighting illuminates the part of the face that is not facing directly at the camera. In Figure Z, we can see that the side of the face facing the camera is in the shadow side. Short lighting often is the preferred light positioning for most portraits especially for rounder faces or faces less defined facial features.

Putting the shadow side of the face closer to the camera narrows down the face and works well for majority of subjects except those with long or thin faces.

Broad Lighting

Broad lighting is the opposite of short lighting where the lit portion of the face faces the front of the camera. Showing the lit portion of the face directly at the camera broadens the face as it illuminates majority of the subject’s face instead of hiding it in the shadows.

While not as popular as short lighting, broad lighting can be used effectively with thinner faces and can make subjects such as the elderly look more radiant and lively. Broad lighting is a “cheerful” light position that portrays openness and excitement.


Read more: http://www.howitookit.com/classic-lighting-styles.html#ixzz14njY6ZBR

your pics...

Gallery Web Site

Today you will start building an image gallery web site to display your pics from the semester and beyond.  You will be using either

http://www.wix.com/

or

http://www.weebly.com/

Both are web site building tools with preformatted layouts and designs.

You site must contain:

• Home page with some statement pertaining to you as an artist/photographer
• 20+ images that you have taken
• at least 3 categorical pages of images (i.e. fall, portraits, B&W, landscapes, etc)
• each image must have a caption describing the image, composition, edits, etc.

You will be turning in a link to your completed site/page Friday.

examples:
http://www.wix.com/schobersam/thegalleryofschober

http://genevasphotos.weebly.com/

http://alexramseyphotography.weebly.com/

Portrait Day 1

Choose 3 of the below techniques and shoot a GOOD image that demonstrates it.

You will turn in a contact sheet of your 3 best examples.

Potrait Info

Tuesday, April 17, 2012

Portraits

your next task is portraits, here are some tips:

11. Frame Your Subject

Framing is a technique where by you draw attention to one element of an image by framing it with another element of the image.

Image by darkmatter

Framing gives an image depth and draws the eye to a point of interest in the image.

You could do it by placing your subject in a window or doorway, have them look through a small gap or even use their hands around their face. See more examples of framing in photography here.

12. Go with a Wide Angle

Shooting with a wide angle lens attached to your camera can help create some memorable shots when you’re doing portrait photography.

At very wide focal lengths you can create some wonderful distortion. It might not be the type of shot you take of your wife or girlfriend (unless she’s in a playful mood) but using these focal lengths will enlarge parts of the face or body that are on the edge of the frame more than what is in the centre.

It can also give a wide open and dramatic impact when your subject is in an impressive setting.

Image by paulbence

13. Play With Backgrounds

The person in your portrait is the main point of interest – however sometimes when you place them into different contexts with different backgrounds you can dramatically alter the mood in a shot.

Sometimes you want your background to be as minimalistic as possible.

Portrait by akbar1947

While other times a dramatic or colorful background can help your subject really stand out.

Photo by paulbence

The key is to experiment.

14. Change the Format Framing

Many photographers get stuck in a rut of only ever shooting either in ‘landscape’ (when the camera is held horizontally) or ‘portrait’ (when the camera is held vertically) modes. Look back through your images and see which one you use predominantly.

Just because a vertical framing is called ‘portrait’ mode doesn’t mean you always need to use it when shooting portraits. Mix your framing up in each shoot that you do and you’ll add variety to the type of shots you take.

Image by bikeracer

15. Hold Your Camera on an Angle

Horizontal and Vertical framings are not the only options when it comes to shooting portraits. While getting your images straight can be important in when shooting in these formats holding your camera on a more diagonal angle can also inject a little fun into your images.

This type of framing can add a sense of fun and energy into your shots. Just don’t ’slightly’ do it or you’ll have people asking themselves if you might have mistakenly held your camera crooked.

Photo by puja

16. Take Unfocused Shots

As photographers we have ’sharp focus’ drummed into us as an ultimate objective to achieve in our work – but sometimes lack of focus can create shots with real emotion, mood and interest.

There are two main strategies for taking unfocused images that work:

1. Focus upon one element of the image and leave your main subject blurred. To do this use a large aperture which will create a narrow depth of field and focus upon something in front of or behind your subject.

Photo by Jeff Kubina

2. Leave the full image out of focus. To do this again choose a wide aperture but focus well in front or behind anything that is in your image (you’ll need to switch to manual focussing to achieve this).

These kinds of shots can be incredibly dreamy and mysterious.

Portrait by peskymac

17. Introduce Movement

Portraits can be so static – but what if you added some movement into them? This can be achieved in a few ways:

Photo by Michael Sarver

• by making your subject move
• by keeping your subject still but having an element in the scene around them move
• by moving your camera (or it’s lens to achieve a zoom burst)

Portrait by philippe leroyer

The key with the above three methods is to use a slow enough shutter speed to capture the movement.

The alternative is to have your subject obviously move fast but to use a shutter speed so fast that it ‘freezes’ their movement.

18. Experiment with Subject Expressions

In some portraits it is the expression on the face of your subject that makes the image.

Get your subject to experiment with different moods and emotions in your image. Play with extreme emotions

Portrait by carf

But also try more sombre or serious type shots

Photo by Stuck in Customs

19. Fill the Frame

One way to ensure that your subject captures the attention of the viewer of your portrait is to fill the frame with their face.

It’s not something that you’d do in every shot that you take – but if your subject is the only feature in the shot – there’s really nowhere else to look.

Portrait by kkelly2007

20. Find an Interesting Subject

I have a friend who regularly goes out on the streets around Melbourne looking for interesting people to photograph.

When he finds someone that he finds interesting he approaches them, asks if they’d pose for him, he quickly finds a suitable background and then shoots off a handful of shots quickly (if they give him permission of course).

The result is that he has the most wonderful collection of photographs of people of all ages, ethnicities and backgrounds.

While many of us spend most of our time photographing our loved ones – perhaps it’d be an interesting exercise to shoot interesting strangers once in a while?

Portrait by .mushi_king

Read more: http://www.digital-photography-school.com/tips-portrait-photography#ixzz14Q5tYPUl

Wednesday, November 3, 2010

Portraits...

I want to look at some ways to break out of the mold and take striking portraits by breaking (or at least bending) the rules and adding a little randomness into your portrait photography. I’ll share ten of these tips today and a further ten tomorrow (update: you can see the 2nd part here).

1. Alter Your Perspective

Most portraits are taken with the camera at (or around) the eye level of the subject. While this is good common sense – completely changing the angle that you shoot from can give your portrait a real WOW factor.

Photo by striatic

Get up high and shoot down on your subject or get as close to the ground as you can and shoot up. Either way you’ll be seeing your subject from an angle that is bound to create interest.

Photo by TeeRish

2. Play with Eye Contact

It is amazing how much the direction of your subject’s eyes can impact an image. Most portraits have the subject looking down the lens – something that can create a real sense of connection between a subject and those viewing the image. But there are a couple of other things to try:
A. Looking off camera – have your subject focus their attention on something unseen and outside the field of view of your camera. This can create a feeling of candidness and also create a little intrigue and interest as the viewer of the shot wonders what they are looking at. This intrigue is particularly drawn about when the subject is showing some kind of emotion (ie ‘what’s making them laugh?’ or ‘what is making them look surprised?’). Just be aware that when you have a subject looking out of frame that you can also draw the eye of the viewer of the shot to the edge of the image also – taking them away from the point of interest in your shot – the subject.

Photo by monicutza80

B. Looking within the frame – alternatively you could have your subject looking at something (or someone) within the frame. A child looking at a ball, a woman looking at her new baby, a man looking hungrily at a big plate of pasta…. When you give your subject something to look at that is inside the frame you create a second point of interest and a relationship between it and your primary subject. It also helps create ’story’ within the image.

Photo by paulbence

3. Break the Rules of Composition

There are a lot of ‘rules’ out there when it comes to composition and I’ve always had a love hate relationship with them. My theory is that while they are useful to know and employ that they are also useful to know so you can purposely break them – as this can lead to eye catching results.
The Rule of Thirds is one that can be effective to break – placing your subject either dead centre can sometimes create a powerful image – or even creative placement with your subject right on the edge of a shot can sometimes create interesting images.

Photo by reportergimmiâ„¢

Another ‘rule’ that we often talk about in portrait photography is to give your subject room to look into. This can work really well – but again, sometimes rules are made to be broken.

Photo by Bukutgirl

4. Experiment with Lighting

Another element of randomness that you can introduce to your portraits is the way that you light them. There are almost unlimited possibilities when it comes to using light in portraits.
Side-lighting can create mood, backlighting and silhouetting your subject to hide their features can be powerful.

Photo by Bukutgirl

Using techniques like slow synch flash can create an impressive wow factor.

Photo by diskomethod

5. Move Your Subject Out of their Comfort Zone

I was chatting with a photographer recently who told me about a corporate portrait shoot that he had done with a business man at his home. They’d taken a lot of head and shoulder shots, shots at his desk, shots in front of framed degrees and other ‘corporate’ type images. They had all turned out fairly standard – but there was nothing that really stood out from the crowd.
The photographer and the subject agreed that there were plenty of useable shots but they wanted to create something ’special’ and out of the box. The photographer suggested they try some ‘jumping’ shots. The subject was a little hesitant at first but stepped out into the uncomfortable zone and dressed in his suit and tie started jumping!
The shots were amazing, surprising and quite funny. The shoot culminated with the subject jumping in his pool for one last image!
While this might all sound a little ’silly’ the shots ended up being featured in a magazine spread about the subject. It was the series of out of the box images that convinced the magazine he was someone that they’d want to feature.

Image by TeeRish

7. Introduce a Prop

Add a prop of some kind into your shots and you create another point of interest that can enhance your shot.
Yes you might run the risk of taking too much focus away from your main subject but you could also really add a sense of story and place to the image that takes it in a new direction and gives the person you’re photographing an extra layer of depth that they wouldn’t have had without the prop.

Photo by Mrs. Maze

8. Focus Upon One Body Part – Get Close Up

Get a lens with a long focal length attached to your camera – or get right in close so that you can just photograph a part of your subject. Photographing a person’s hands, eyes, mouth or even just their lower body… can leave a lot to the imagination of the viewer of an image.
Sometimes it’s what is left out of an image that says more than what is included.

Photo by Bukutgirl

9. Obscure Part of your Subject

A variation on the idea of zooming in on one part of the body is to obscure parts of your portrait subject’s face or body. You can do this with clothing, objects, their hands or just by framing part of them out of the image.
Doing this means that you leave a little to the imagination of the image’s viewer but also focus their attention on parts of your subject that you want them to be focused upon.

Photo by BigBlonde

10. Take a Series of Shots

Switch your camera into ‘burst’ or ‘continuous shooting’ mode and fire off more than one shot at a time.
In doing this you create a series of images that could be presented together instead of just one static image.
This technique can work very well when you’re photographing children – or really any active subject that is changing their position or pose in quick succession.

Missing from Friday

Please help us find these items missing from S2 on Friday:


SD Cards & Tripod Mounts!!!