One of the great benefits of an SLR camera is the ability to manipulate images with the use of the shutter's speed. Our next assignment is going to be an experiment in this, working with stopping, blurring, and showing action in our images. We will be using 3 techniques.
- Freezing action - (fast shutter speeds: >1/125 second)
- Blurring action - (slow shutter speeds <1/30>
- Panning - (very slow shutter speeds <1/15>
The basic idea behind panning as a technique is that you pan your camera along in time with the moving subject and end up getting a relatively sharp subject but a blurred background.
This gives the shot a feeling of movement and speed. It’s particularly useful in capturing any fast moving subject whether it be a racing car, running pet, cyclist etc.
Panning seems to work best with moving subjects that are on a relatively straight trajectory which allows you to predict where they’ll be moving to. Objects that are moving side to side are challenging and can result in messy looking shots as the motion blur can be quite erratic.
Once you’ve released the shutter (do it as gently as possible to reduce camera shake) continue to pan with the subject, even after you’ve heard the shot is complete. This smooth follow through will ensure the motion blur is smooth from start to finish in your shot.
BLURRING ACTION: To blur action shoot with a slow shutter speed, it often helps to use a tripod to help keep the camera stead, when you do not have a tripod, try and brace your camera with your arms, a tree, a desk etc. Then let the action move around you while the shutter is open. (<1/60).
YOUR GOAL IS TO FIND MANY DIFFERENT ACTION SETTINGS TO PHOTOGRAPH. SHOOT EACH ONE FROM A VARIETY OF ANGLES AND MANUAL CAMERA SETTINGS... (dial to S and then clickwheel for slower/faster shutter speeds)
example: go to the skate park, set up next to the kinked rail, lying down. Then, slow down your shutter speed to 1/20 and hold still, take a pic of the rail in focus and the skater a blur grinding by. Next, set the camera to 1/40 and try and pan the camera as the skater grinds. one location, both techniques!
No comments:
Post a Comment